If you are an international bidder you can rest assured that OzBid Auctions will arrange the appropriate method of shipping your items to you. ** Please note: if you have purchased an extra large piece in excess of 200 x 110cm Ozbid will need to discuss alternative delivery options. ** Please note: if you have purchased artworks over the value of $3000 per piece or if they are deemed to be rare pieces Ozbid will be in contact with you to discuss a specialised delivery option at a cost to include insurance cover for loss or damage. (Darwin and Tasmania are excluded from these above flat fees) ** Please note if you live outside of a state capital and its surrounding metro area extra fees will apply, please contact us for more specific details. If you live outside of this area the below shipping fees apply. This $40 fee only applies to city/ metro areas surrounding venue. This is a great service if you cannot fit the artworks you purchased in your car or if you have bid online and cannot come to the venue to collect. If you attend a live auction and require delivery after the auction a $40 flat fee for delivery will apply. Ozbid conduct LIVE auctions in various areas around Australia. Whether you have successfully purchased items in either a Live Auction (all locations), Timed Auction, or Online Gallery, you have the option to collect from our Head Office in Lilyfield NSW, Sydney, during business hours by appointment (Mon-Fri, 9am-5pm) ** VIP SHIPPING ** Terms & Conditions apply below. Please see below for detailed information and pricing. Local, National or International - we have it covered. OzBid we make delivery of your artworks easy. *Free shipping does not apply to individual artworks valued at $5000 or above. See below for our affordable international VIP shipping options available. Launch price per set (4 prints): £3,600 inc vat / $5,400 inc CA sales tax.Free shipping for this auction only applies to all Australian Capital cities and surrounding metro areas** Launch price per print: £1000 inc vat / $1500 inc CA sales tax, Medium: Silkscreen and gold foil block print on Somerset Tub sized 410gsm.Įdition of 75. The effect very cleverly mimicking the delicate design of scroll-work found on US monetary notes. In ‘Power and Glory’ the richness of design is heightened by Fairey’s use, for the first time, of foil-blocking, a method whereby a metallic sheet is debossed onto the sheet of paper, using a metal etched plate, and printed after the silk screening process. The set could just as easily have been titled ‘Whose Power and Whose Glory?’, since the piece is equal parts celebratory and cautionary because one person's American dream is another person's American nightmare. This Trojan horse effect of drawing the viewer in to the image through the use of design and colour to then spit back questions of allegiance and ownership are key to Fairey’s work, much like Jamie Reid inserting a safety-pin into the lip of the Queen. Fairey hijacks the solitary star inserting the Obey motif, itself an international logo that questions authority. Much like advertising the incessant flying of the flag outside homes, stores, and businesses has turned it into a corporate brand identity that Fairey subverts both stylistically and conceptually.Īs the design of the US flag, over time, has developed to incorporate more States, so Fairey has graphically dissected the ‘Stars and Stripes’, and re-configured them into a completely new design, where the single star is the dominant central motif surrounded by seven stripes. Its popularity and consequently its Pop Art qualities have not been lost on Fairey who understands but also questions its ubiquitous presence. Serving initially as the ‘marking of American territory’, Adam Goodheart, Prologue of ‘1861: The Civil War Awakening’, it has now also become the calling card of the biggest consumer society in the world. Celebrated, revered, abused, and even burnt the US flag constantly invokes passion on a grand scale. The genesis for each print is the American Flag, an iconic and potent image that artists such as Jasper Johns’s ‘Flag’ (1954) and Peter Blake’s ‘Old Glory’ (2011) have explored as has Joe Rosenthal’s ‘Raising the Flag on Iwo Jima’ (1945) in photography. The prints will be exhibited at the LA Art Show15 - 19 January 2014 (Booth 622). Entitled ‘Power and Glory’ this is the third project the gallery has worked on with Fairey, The set of four new works continue the artist's investigation into contemporary America. The Paul Stolper gallery is proud to announce the launch of a group of four new screen prints with foil-block by internationally renowned LA based artist Shepard Fairey.
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